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Sculpture is defined as a medium of art that exists in 3 dimensions. Sculpture is considered a “plastic art,” meaning it involves the physical manipulation or moulding of a plastic medium, or a medium that can be carved or shaped such as wood, ceramic, stone, concrete or glass. The process of creating sculpture can be divided into two categories: reductive, where material is taken away from the original volume to reveal the finished product (like stone or wood carving) and additive, where material as added to itself or other material to create a finished product (like in clay/ceramic sculpting or merging metal).
The medium of sculpture began out of necessity. The first examples of pottery were created for cooking and food storage. As time progressed and man’s immediate needs began to be met with more ease, sculpture evolved into an art. Sculpture is central in religious culture and expression. Before literacy was a standard skill, sculpture, along with other art forms, helped convey religious and civil concepts. Sculpture, at its core, is a highly utilitarian and durable art form.
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I am so happy to have found Mearto. Their team of seasoned professionals provide a wealth of knowledge in tandem with excellent customer care. They provided an expert valuation and advised me sell a painting that I purchased for just $10 at an estate sale for nearly $1,000 on eBay. I have used them on several occasions and have been extremely pleased every time.
Mearto provides exceptional service at an exceptional price!
I used the Mearto authentication service to develop a history of a family owned piece with little to no provenance, except being owned by my family for 65 years. They came back with a 20 page extensive report and included a full page bibliography for reference. The “Stylistic Observations” section of the report was most enlightening comparing my piece to the original, which was on public display in the 1940’s.
I’m very happy with the results!
Very polite and professional services that they provide, my appraisal involved looking into an oil painting by an artist whose work is over 400 years old. Not only did they write about the artist but also where he was from and where he was born and most importantly the value, I'm impressed. (worth every penny).
I will always use Mearto for future appraisals.
The authentication report we received from Mearto was very well researched and written, as well as detailed and comprehensive. From an examination of the artist's signature to a discussion of the figural representations in the work, Mearto's art specialists took the time to explain in non-technical terms their findings. Professional, responsive, and kind are just a few words to describe their communication throughout the process-- definitely money well spent!
We needed a watch appraised and I found this website via Google. Having never doing this before, I was hesitant to submit a payment before receiving any information, I'm glad I did. David was very helpful and patient addressing my questions, and explaining the process. He was very thorough and knowledgeable. Should I have another opportunity, I would not hesitate to contact Mearto again.
Like almost all works of art, great value and emphasis is placed on the maker and the rarity of the object. Size, material, and age can play some role, but with the market trending towards an emphasis on 20th century and contemporary pieces, the artist will be the greatest determinant of value.
Reputable auction houses have teams of specialists that can confirm the authenticity of your sculpture, and large client bases that can potentially fetch you the largest price for your important work. For modern and contemporary pieces, there should be complete or nearly-complete provenance (list of previous owners) for each piece to bolster the likelihood of the piece being genuine. Sculptures from earlier periods might have been included in art historical publications and their authenticitity might be traceable through research.
In-the-Round- also described as free-standing sculpture, such as statues, are not connected to any surface (except traditionally at a base). Free-standing sculptures, particularly from earlier eras, are made from durable materials and have therefore survived the test of time, but not without casualties. Most ancient and classical sculptures were painted, but where stone stood strong, paint chipped away. This led to centuries of aesthetic interest in white marble sculpture.
Relief- Relief sculpture is a reductive media in which the three-dimensional forms are attached to a background surface. Relief sculpture is classified by the depth of the reduced surface.
Kinetic- sculpture that depends on motion for effect.
Cast- Casting is the process of pouring a liquid material into a mould containing the hollowed out cavity in the desired resultant shape.
Sculptures from the Classical periods were usually made from the most durable materials like bronze and other metals. Other popular and durable materials include stone, like marble, wood, bone and clay. Precious materials such as gold, jade and ivory were used for smaller, more luxurious works.
Sculptures were often painted using a variety of techniques including tempera, oil, and enamel. Some sculptures were even decorated with gold leaf.
More contemporary sculptors like Picasso or Duchamp often incorporated found objects into their sculptures. Duchamp, in particular, invented a new type of sculpture called the “readymade” when he used found objects to exclusively construct his works.
Sculpture at its origin was pottery for early populations to cook and store food. The tradition of utilitarian sculpture continues today and can be quite valuable. Vases, chandeliers, and tableware, depending on the maker, condition, and materials can be both collectible and valuable.
The top three most expensive sculptures ever sold came from the hand of Swiss sculptor Alberto Giacometti. L'Homme au doigt, L'Homme qui marche I, and Chariot sold for $152.4 million, $122.3 million, and $109.1 million respectively. Living American sculptor Jeff Koons occupies two of the top ten spots with his sculptures Rabbit and Balloon Dog (Orange), which fetched $91.1 million and $58.4 million, respectively.
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